an excerpt from my notes on choreography.


the smile.

what can be more potent then a smile. an uninterrupted outward experience of the smilers inner world. that is what choreography tries to do, does it not? outwardly express the inward inexpressible. a smile transcends culture, race, class, gender, ideologies, species, age, education, height, favourite ice cream flavour, everything. is it possible that the simple act of smiling can contain all of the transcendental secrets of the universe? of course it is.

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